In a conversation with Kyle where he was talking about his upcoming film, The Hopeful, I asked if he could see God’s hand throughout its production. His response was truly inspiring:
“The miracles started with the availability of an incredibly seasoned and sought-after crew for the exact dates we needed, and this happened with multiple people. For example, Brett Manson, the colorist for Baz Luhrmann’s Elvis and David Michod’s The King, had exactly 10 days open up when another film he was working on pushed their schedule later, allowing him to make The Hopeful a look stunning and a truly world-class cinematic experience. Also getting one of the most sought after foley and effects teams, not only in Australia but globally, was made possible because they also had another film push its schedule back for the exact number of days we needed.
Originally, we had booked the smallest Disney mixing room in Sydney, but God intervened again, gifting us the use of the main mixing cinema to complete the final mix of the film. In isolation, you might call one or two of these events a coincidence, but when you experience a chain of over a dozen of these examples spread out before you, it’s impossible not to acknowledge the golden chains of providence linking together this project to share His precious and vital message with the world.”
Kyle’s testimony speaks volumes about how God orchestrates even the smallest details to accomplish something extraordinary. Keep an eye out for The Hopeful—it’s being released October 17 in cinemas across Australia, however, you can book in to watch it first at a special pre-screening on October 8… just ask for the special link at the Signs stand in the Expo Hall today. www.thehopefulmovie.com
Purchase these tickets at https://thehopefulmovie.com.au/premiere-events/ to order tickets today for that special pre-screening.
